Taylor Swift published her second open letter about her issues with Scooter Braun and Big Machine Records’ Scott Borchetta after Braun bought the record label and Swift’s song catalog for her first six albums this summer. She wrote on Twitter that the two men are prohibiting her from performing any of her old music at recorded events and said they would not work with her privately to find a fair way forward so she could. So she made her experience with them public. “Don’t know what else to do,” Swift wrote in the caption of her tweet with screenshots of her note.
Additionally—and this isn’t the way I had planned on telling you this news—Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project even though there is no mention of either of them or Big Machine Records anywhere in the film.
Scott Borchetta told my team that they’ll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something I’m both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.
I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate.
The message being sent to me is very clear. Basically, be a good little girl and shut up. Or you’ll be punished.
This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where I’m asking for your help.
Please let Scott Borchetta and Scooter Braun know how you feel about this.
Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this—I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. I’m especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.
I just want to be able to perform MY OWN music. That’s it. I’ve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMA’s, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark. I love you guys and I thought you should know what’s been going on.
